All image processing within DaVinci Resolve is GPU based atthe deepest 32 bit floating point quality and with YRGB color space. Now you can takeadvantage of the full wide dynamic range of RAW images and pull the maximumdetail out of the highlights, shadows, and mid tones in real time! You get high quality debayer with highlight recovery, whitebalance, color space and gamma controls, along with adjustments for fine tuningexposure, color temperature, tint, sharpness and more so that you havevirtually unlimited creative control over RAW images. 
Cinematographers will love the new camera RAW palette inDaVinci Resolve 11. 
That means you can combine grades, effects, mixers, keys and evenplug-ins in any order to create limitless color effects and unique looks. Nodes are similar tolayers, but more powerful because you can join unlimited nodes sequentially orin parallel.
DaVinci Resolve uses node based processing where each nodecan have color correction, power windows and effects. DaVinci color correction is the difference that makeshigh end work so breathtaking! DaVinci Resolve is thereal time grading system that’s been used worldwide on more feature films,episodic television productions, commercials, independent films and musicvideos than any other. Invented in partnership with Hollywood studios, DaVinci hasbeen the standard in post production for over 30 years. Now you can finish your project at the highest possible quality usingthe extended dynamic range and advanced controls in DaVinci Resolve. After editing DaVinci Resolvewill automatically reconnect the edited sequence to the original camera RAWfiles. The advancedmedia management tools in DaVinci Resolve can track the relationship betweenproxies and your original footage for finishing. DaVinci Resolve 11 makes creating files and round trippingprojects with editorial faster and easier than ever! Manage media, sync audioand convert high resolution RAW footage into ProRes or DNxHD proxy files foruse in Final Cut Pro X, Media Composer or Adobe® Premiere Pro® CC. That means you can work right up to the on air deadline anddeliver the final master as soon as you have completed your grade! 
Colorists don’t have to rebuild the project every timethe edit changes. Every time changesare made in editorial they can be sent to DaVinci Resolve and the timeline willupdate automatically.
Imagine having to grade over 900 shots for ashow every day! DaVinci Resolve’s compatibility with editing systems letscolorists start grading before the final edit is complete.
Episodic television schedules are some of the fastest andmost gruelling in the industry.
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